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> Medialon Manager
HBO Shop, NYC, USA
 

Installation : Electrosonic & Scharff Weisberg

www.electrosonic.com www.swinyc.com
 

Medialon show control software is center stage in the HBO Shop in the cablenet’s headquarters lobby where it directs projection, LEDs, plasma displays, audio and lighting to create show-themed environments for shoppers.  The retail space does not showcase merchandise in its storefront windows; instead it uses a series of dramatic video displays to entice people off the street and, once inside, employs more innovative content displays to immerse shoppers in the world of HBO.

The HBO SHOP is a consumer retail space like no other. Featuring a multimedia showcase of HBO’s award-winning programming, the store offers visitors the opportunity to purchase an array of quality branded merchandise, including special product such as “ Sex and the City” fragrance gift sets and handbags and “Entourage” limited-edition watches. Started in December of 1981 HBO is one of the original cable channels and the first to encrypt its signal and one of the first to offer high definition broadcast.  HBO has since branched into multiple cable channels and also produces original television programming as well as feature films.

Dataton Watchout produces and delivers content across multiple outputs in the HBO Shop.  The content on the various displays can be the same, it can be offset in time or it can be different but related scenes.  The content is fed to Medialon which then communicates with the source devices: one display computer per display output running Dataton software.  Medialon is also fed with mood lighting and audio cues to support the content displayed.

The main display consists of four parallel screens layered behind the storefront window.  A 5x9.5-foot Daktronics ProStar LED display, bright enough to compete with sunlight, is set three feet back from the window.  Behind it are three high-resolution, 65-inch Panasonic plasma screens in portrait mode.  All are encased in back-painted opaque glass vitrines.

At the back of the shop two ceiling-mounted Christie DS+65 DLP projectors throw 6x8-foot wide images onto facing, acid-etched white glass walls.  A Daktronics LED ribbon, measuring 1.75x33 feet, begins to the left of the shop’s entrance and makes a right turn at the rear offering an additional backdrop for merchandise.

Lighting, designed by HDLC Lighting and design one, bathes the 14-foot perimeter walls with changing colors to match the mood of the content and time of day; displays of “The Sopranos” are accompanied by blood red washes, for example.  Medialon controls Color Kinetics’ ColorBlaze fixtures in a continuous ceiling cove as well as merchandise lighting supplied by RSA Lighting MR16 fixtures and Winona V-line LEDs inside the white glass wall.

Medialon also controls the audio, which is selectively derived from the video sources.  Audio is processed by BSS Soundweb DSP equipment and played through Tannoy CM601 ceiling loudspeakers augmented by a VS10BP subwoofer.

The project takes advantage of Medialon's ATA Converter (Any to Any), which allows users to write programs that convert information received from one device to commands sent to other devices. For example, DMX commands coming from a lighting desk to Serial commands that controls a video processor. It also makes use of Medialon's Variable as cue parameter; The ability to use variable as a parameter in a command cue gives an incredible power to show control programming. The cue remains the same but the value sent depends on another process, ie : Load clip [x] is the cue, [x] is the name of the clip, and can be calculated by say, the day of the week, the speed of the wind or any other variable.

Electrosonic Systems Inc. was contracted by project manager JT Magen to design, engineer and install the video displays system.  Interior design was by Gensler – Studio 585 with AV consultancy by Scharff Weisberg. 

The project was programming the kinetic wall’s interactive menu in WATCHOUT and connecting with the scroll wheel through Medialon Manager.  Another challenge was that, besides the already-existing LAN cabling, it was not possible to bring in any additional cabling from the main show-control computer to the various installations; this required Medialon to strictly rely on network-based hardware.